Hello, this is Jiro.
Today, we would like to introduce the pavilions of Damyang, Jeollanam-do, through the lens of Korean classical poetry.
Rather than simply listing architectural sites, this journey explores pavilions that are deeply connected to Korea’s literary tradition—places where poetry, philosophy, and nature came together.
Myeonangjeong Pavilion
π 382-11 Myeonangjeong-ro, Bongsan-myeon, Damyang-gun, Jeollanam-do
Built in 1533 by the scholar Song Sun, Myeonangjeong was more than a pavilion.
After leaving central politics, Song Sun composed poetry and educated younger scholars here.
Surrounded by nature, it functioned as a communal space for the sarim—Confucian scholars who sought learning, reflection, and refined enjoyment of life beyond worldly ambition.
Excerpt from Myeonangjeongga
by Song Sun (Joseon Dynasty)
On a broad rock,
pushing through pine and bamboo,
a pavilion is set in place.
It looks as though
a blue crane riding the clouds
has spread its wings,
ready to travel a thousand miles.
Water flowing down
from Okcheon Mountain and Yongcheon Mountain
spreads generously, endlessly,
across the wide fields before the pavilion.
Be wide, but do not become merely long.
Be blue, but do not lose your purity.
Sikyeongjeong Pavilion
π 859 Gasamunhak-ro, Gasamunhak-myeon, Damyang-gun, Jeollanam-do
Sikyeongjeong is best known as the setting of “Seongsan Byeolgok,” a classical poetic work by Jeong Cheol (pen name: Songgang).
Nestled in the natural landscape of Seongsan, this pavilion embodied the ideal of withdrawal from secular life.
It served as a place for moral self-cultivation and Confucian reflection—an example of how retreat was understood not as escape, but as a way to pursue a principled life.
Excerpt from Seongsan Byeolgok
by Jeong Cheol
A passing traveler pauses at Seongsan
and speaks to the masters
of Seohadang and Sikyeongjeong:
“Listen to me, if only for a moment.
Even in the human world,
there is no shortage of good and joyful things.
Why, then, does this landscape grow finer
the more one returns to it?
Why enter such a quiet mountain retreat
and never again step back
into the world?”
Soswaewon Garden
π 967-15 Gasamunhak-ro, Gasamunhak-myeon, Damyang-gun, Jeollanam-do
Soswaewon is a private garden created by Yang San-bo, who chose to abandon political ambition and live quietly in nature.
Considered one of the most representative gardens of the Joseon period, it once contained more than ten structures.
Only part of the original complex remains today, yet the garden still conveys the aesthetic of restraint, clarity, and harmony with nature.
Namgeungnu Pavilion
π 396 Samcheon-ri, Changpyeong-myeon, Damyang-gun, Jeollanam-do
Google Map: https://maps.app.goo.gl/EvQgdHF53JtmeMEa7
Unlike the other sites, Namgeungnu was originally a government pavilion, not a place of retreat.
Rare for Damyang, it was built on flat land and on a notably larger scale.
Today, it serves as a community space where local elders gather and rest, functioning as a living center of village life rather than a secluded literary site.
A Landscape Where Poetry Lingers
Through these pavilions, Damyang reveals a unique cultural landscape—one where nature, literature, and everyday life intersect.
Did this journey make you want to experience Damyang’s quiet scenery for yourself?
Jiro will continue to share stories from regions across Korea, focusing on the places where local history and lived culture still resonate.
Have a wonderful day.
Photo Credit: Photos courtesy of Damyang County Office Official Website (Public Nuri Data)
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